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Technique

Your first mix: the four habits that actually matter

Most beginners overthink gear and underthink the four small habits that separate "can DJ" from "sounds like a DJ".

By Edward Van den Bulck
, 6 min read

Your first mix: the four habits that actually matter
Your first mix: the four habits that actually matter

Most beginners ask us the wrong question. They ask which controller to buy. The right question is: what does the tutor across the table do without thinking about it?

After fifteen years of teaching, we've narrowed it down to four habits that separate someone who can technically DJ from someone who actually sounds like a DJ. None of them are about equipment.

1. Listen for 16, count to 32. Phrasing is non-negotiable. The track you're mixing into starts on a phrase and you need to drop it on a phrase. If you can't count phrases automatically, the rest of your transitions will always feel slightly off.

2. Keep the EQ moving. A static mix is a dead mix. Even if you're holding two tracks for sixteen bars, your hands should be on the EQs creating space for whichever element matters in that bar. Most beginners freeze them because they're afraid of breaking the mix. Break it on purpose.

3. Energy goes up. Then down. Then up further. A two-hour set that climbs in a straight line is exhausting. A two-hour set that goes up–down–up–down with each peak slightly higher is what people remember. This is structure and it's plannable.

4. Cue the next track 30 seconds early, not 5. Stress kills selection. If you cue with a minute to spare, you have time to listen, decide and breathe. If you cue with five seconds to go, you'll grab whatever's nearest. Plan ahead.

Internalise these four and the gear you're using becomes almost irrelevant. We've heard incredible mixes on a hand-me-down DDJ and incredibly boring ones on full Pioneer setups. The hands matter more than the buttons.

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